Showing posts with label Writing. Show all posts
Showing posts with label Writing. Show all posts

Saturday, March 6, 2010

Audio Self-Edit of Your Manuscript - Updated

I was testing a piece of text to speech software this week and discovered something interesting. I used a story I was working on to test it, and was enjoying it immensely! It was a sweet little story and was flowing along nicely.

Until I heard something that made me cringe: too many descriptive adjectives. Now, I like to write how I think, and my mind tends to be cluttered with descriptive stuff. And I know it shows in my writing, but it looks all right to me since I wrote it. Not matter how many times I edit, I always know I’ll find something. A bad habit is to think: “Well, this is enough. It’s a great story as is.”; I struggle with this all the time.

Hearing your story spoken to you will give a very different perspective. I’m not sure how many people have the luxury of having a person who can read the story to; I suspect not many. But I know it has already changed my editing habits after having it just once.

Just for information purposes, I was testing ClaroRead V5. It was very easy to use. Just start the program, turn it on, and select the text you want to have read out. When you release the mouse, it start speaking. The price is $159, but you can download a 15 day trial. I am going to see if I can find a freeware speech to text program that will do a decent job. I will post if I find one.

*** UPDATE***

I just found this one about an hours ago. It's a little cumbersome because you should really use just a plain text file.

http://www.zabaware.com/

But it works and uses the same voice as ClaroRead.

Has anyone had a similar experience with this? Or there ways to do a better self-edit? Leave a comment please!

Thursday, February 11, 2010

Goliath vs. Goliath

As a writer, here’s my take on Amazon vs. Macmillan: Nobody wins. What we are seeing is not really the clash of business models. We are seeing runaway economic evolution in action. And it isn’t pretty, folks.

Think about the concept: Macmillan wants to charge more for their books so Amazon really get’s a bigger cut. Huh? And oh yeah, that comes out of the consumers’ pocket. So it was a no-brainer that Amazon would back down. To me it smacks of Demican and Republicrat policy makers trying to shove their brand of politics down our throats. You can have any color car you want, as long as it is red or blue.

Let’s step back a few paces and see what we can see. Amazon is the ultimate middleman. Whatever you want (within reason, as opposed to the REALLY weird stuff you can get on E-Bay) can be ordered and shipped with a few simple keystrokes. Marvelous, right? Maybe. Let’s fire up the Wayback machine and go back about fifty years. I grew up in a little neighborhood in Brooklyn called Bay Ridge. It was safe to walk around by myself at five or six years old. We lived a block and a half from the main shopping street, 3RD Avenue.

At the corner of 74th Street and 3rd Avenue, there was something called Scheirra’s Green Grocer, a little family owned produce market. On the other end of the block was the local grocery store, Packer’s. What you would consider a Safeway or Grand Union back in the day.

They both did a brisk business, for different reasons. Packer’s, along with Bohack and A&P (two other larger grocery stores) offered convenience and a much wider selection of products than Scheirra’s did. But what they didn’t offer was the personal local touch. We would always swipe a green bean from the produce bins outside the store, sometimes he’d toss an apple or two our way (or maybe AT us).

But let’s look at the concept of customer experience. When you walked into Packer’s it was a lot like walking into a Wal-Mart Super Center. Lights, gleaming shelves and cooler cases; a lot of chatter and neighbor’s taking by the deli and butcher counters.

Now, walk into Scheirra’s. It’s quiet, and not quite as bright. He wasn’t trying to hide anything mind you it was just the style of store. But what hit’s you the most is the aroma of fresh vegetables. I mean, the place smelled GREEN in a really nice kind of way. You always knew when the bananas were ripe; the onions smelled of fresh earth. The green beans were as snappy as twigs. The floor board creaked, the scales groaned when weighing produce. And Mr. Scheirra was always changing out the produce to make sure it was fresh. You couldn’t get a better sell by date meter than his nose. Even for a five year old it was heaven. It was a place for a slower pace of life.

Ever been to a green grocer? They still have them around, but they are mostly ethnic specialty stores with high prices. What we have now are huge Wal-Mart and Target stores, incredibly large grocery chains and even huge specialty stores that you almost have to pay a tax just to get into.

And yet a sincere lack of ambiance in the old fashioned sense of the word; all cold and gleaming. Now, back to the future and books.

Amazon and Macmillan are setting the playing field for the next ten years at least. (I figure by then people will have printers sophisticated enough to print and bind their own books at home. Hell, they have printers that you can buy to build 3-D products like teapots right now, for way less than a thousand dollars.) We are being locked in slowly to a mass-market way of life. If a book or magazine doesn’t sell really well, it disappears. Short fiction is going the way of the dinosaur; is Ellery Queen Magazine being printed anymore? I don’t know; I haven’t seen the shelves lately. My own genre is suffering, because there seems to be no way to stop the onslaught of greed and corruption that is threatening the industry that brought us the printing press, the Gutenberg Bible and a general increase in the ease of knowledge transfer.

My own solution is a partial one. When you buy a piece of literature, you then own the rights to it legally in every format; printed page, audio, 3-D Smellorama. You get the idea. Let’s move away from media ownership and into the area of knowledge ownership. Let’s look at what is really going on behind closed doors in the publishing industry.

Support the people that are trying to make the next ten years of publishing work for us, instead of against us. People like Cory Doctorow, Eric Flint and the late Jim Baen.

To quote one of my favorite philosophers (Greg Lake), “…if we make it we can all sit back and laugh…”

What’s you’re take on this? Throw me some ideas and let’s see what we can come up with!

Saturday, December 19, 2009

On the other hand...

REJECTION! Everybody handles it differently, even the Agents. I met a great agent in June who asked me to send my novel in for review. I sent it in and followed up every month with a polite e-mail inquiry as to its' status. After five months, I found out the agent apparently forgot about requesting my submission and never read it! In late November I received a rejection saying that due to market conditions, this particular type of story would be very hard to sell, so they were going to pass on it.

Now, did I miss a window of opportunity? I don't know. But I do know that my manuscript was off the market for five months for no good reason.

Now, contrast this to the next agent I immediately sent to. Within 10 days, I had queried, sent in a proposal and been rejected THAT'S reasonable to me. They didn't want to handle the story, even though they enjoyed the submission. But at least I could move on.

Now, I know Agents and Publishers are swamped, but a five month delay and then admitting you lost the manuscript does no one any good. I will submit other manuscripts to both Agents in the future, hoping that things will balance out.

But while Agents and Publishers are swamped, I hope they are aware how frustrating things like this can be for a writer. Let's all work together and try to survive the coming upheaval in the publishing world!

Thursday, October 15, 2009

Submit or Perish!!!

Are you a writer who is also a pack rat? I am. I went over the list of stories I have been working on and discovered I hadn't submitted anything in a couple of months. That didn't seem right. So I checked a little spreadsheet I have of current work. Sure enough, there were five stories I had finished editing and didn't submit! Why? I asked myself. It turns out I was too busy writing other things and getting them ready for critiquing. So they sat on my PC, gathering electronic dust (and cat hair, but we won't go into that.)

So I fired up the Internet (thanks, Al Gore and Vin Cerf) and logged onto Duotrope. There I found a home for everyone of my stories. Now, I may get five rejections. But if I do, at least that tells me where I stand in my writing skills (See previous post.). But If I don't submit, then nothing changes.

Some writers I know keep working on stories forever. They want it to be perfect before it's published. But I am of the mind that putting too much polish on a story can actually take some of the shine off of it. You need rejection; you need to know what you are doing wrong (or at least not quite right.). Any response I get on a story will teach me something. But not submitting teaches you nothing.

Write, submit, recover and start all over again!

Sunday, October 4, 2009

Bettering your craft...

This year at Armadillo Con 31, I had the honor of meeting and chatting with James Frenkel, a senior editor with TOR Books. I did the usual polite introduction of myself, business card in hand, and told him that I hope to have a manuscript pass into his hands someday. He inquired about said manuscript and what my writing credentials were. I gave him a brief (10 second) description of the novel currently sitting on an agent's desk and the one short story I had published at the time.

He looked at me and asked if I was still writing short stories. I said of course. He encouraged me to writing short stories. I thanked him for his advice and let other slavering individuals garner his attention.

His comment stuck in my mind. The week after the Con, I went back and reviewed all of the short stories I had written since I started. I read them in the order in which I wrote them. I noticed that there was a remarkable difference in the style and quality of writing between the oldest and the newest stories. THAT made me think. I started my novel at the same time I started my first short story. Like any newbie writer, I was sure that the novel was a good one, albeit targeted to a specific sub-genre (hard science space opera). I thought I might have trouble selling it, but all of the people who read it (twenty or so) really enjoyed it. When I met the agent, there was interest and I was asked to send the usual package. It's been out with the agent for over three months; not a lot of time in the publishing industry.

But after reading my sequence of stories and the progression of my writing skills, I realized that Mr. Frenkel's advice wasn't just good, it was critical. No matter how good my novel was, if I started it today, it would be a much better novel. I had fallen for one of the worst pitfalls any new writer can succumb to: Thinking I was good at writing. Now, don't get me wrong, I like my stories and my characters, but will everybody else?

What helped me most of all was getting involved in critique groups. In an earlier post, I said not to write in a vacuum. Let people who write also read your stories and tell you where things could be better. My two favorite critique groups are Critters.Org and the Slug Tribe. They are open, honest, fair and have a code that explains how to critique and not be nasty about it. One memeber of the Slug Tribe, Patrice Sarath, was teaching a Writer's Workshop at the Armadillo Con. During a critique of a story I submitted, she gave me one piece of valuable advise that FINALLY got through my neutronium skull. My writing was good and my story was interesting, but my POV was all over the place and that ruined it for her.

When I started writing after the Con and Workshop, I focused on nothing but keeping the POV where it should be. (I tend to write like I think, and I am so all over the place!) The difference between these stories and my earlier ones was readily apparent. I was getting even better!!!

But I still have a long way to go. Jim Fenkel's advice is what drives my writing now. Short stories are the pop quizzes of writing; you can get an immediate idea of where your skill set is while preparing to write your thesis.

So, thanks to Jim Frenkel and Patrice Sarath. You have been a great help to me!

Wednesday, September 30, 2009

On Plagiarism...

I run a little online magazine called Infinite Windows. I run it both as a hobby and a learning tool to help me shape my skills at editing. It's done very well for itself and I have received many good stories, poetry and artwork. Imagine my surprise when one of contacts on Twitter informed me that a piece story I had published was stolen from another author.

I quickly followed a link I was given, which led me to the original author's site and several other authors whose work had been plagiarized. Apparently this person who goes under the name of Richard Ridyard has been doing this for a while. For more detailed information on this situation, I will refer you to Aaron Polson, Angel Zapata and Deb Biancotti's Blogs.

Plagiarism does no one any good. For the author whose work is stolen, it generates frustration and anger. For the editors of the publications these stories are submitted to, it causes more work and aggravation. But ultimately, for the plagiarist it causes the most damage. They will be found out, In this day and age, nobody can do this and not get caught. Mr. Ridyard (or whomever his real name is - and he will be discovered, believe me!) has destroyed any hope of becoming a published author in his own right. No body will ever believe anything he ever submits is his own work.

On top of everything else, this individual has committed theft of intellectual property. And if he has been paid for any of this plagiarised work, it is out and out theft. Period.

So for the Richard Ridyards of the world, you will be found out and your reputation will be permanently ruined. Nobody trusts a liar.

Thursday, September 17, 2009

Will I Read Your Script or Story? ...Maybe

A lot has been said recently about aspiring writers trying to get their stories or scripts read by a professional. Most of the blogs are down right nasty and full of frustration (except for Scalzi... he makes you feel good as he tell you no and explains why in detail.).

On the other hand, I will read your story or script. Why? I'm always looking for good stories to publish in my webzine. I am also looking for great ideas for stories of my own (Caveat Emptor - what can I say?).

So, by all means, send me your best. I'll either give you exposure or steal your ideas!

Wednesday, August 19, 2009

Armadillo Con 31

What sets the annual Armadillo Con in Austin, Texas apart from most genre conventions? Well, it is a literary convention, targeted toward writers looking to learn and share their experiences. You won’t find very many people in costumes (other than tacky Hawaiian shirts, of course!) and there are no odd-ball beauty contests, like for the Best Rendition of a Storm Trooper in a Leather Bikini. No, it’s all about improving your craft and meeting the professionals.

One of the most important aspects for me, was the annual Writer’s Workshop. Here, a group of novice writers are exposed to seasoned professionals who share their experiences and techniques. I want to publicly acknowledge this year’s coordinators, Stina Leicht and Melissa Tyler. They did a marvelous job of running the workshop and procuring a really top-flight panel of judges, including Jim Frenkel (a Senior Editor with Tor Books), majorly talented authors like Scott Lynch (“The Lies of Lock Lamora”), Patrice Sarath (“Gordath Woods”), Sharon Shinn (“Samaria” and “Twelve Houses” series), and other notables like Matthew Bey (local Austin writer and editor of the print magazine “Space Squid”) and Nancy Hightower, who is not only an author (“Devouring Winter” ), but also teaches college courses about writing. There were many more, so here is a link to the total list of instructors.

After a morning session of discussion, Scott Lynch held a great game where people would be picked out to construct a story based upon statements from a previous contestant. The stories built up nicely, until some editorial comments were thrown in like “add a talking beagle to your plot”. It was hilarious!

After lunch, we all broke up into separate groups to critique stories we had brought to the Workshop. There were five or six novices and two professional writers in each group. Our group had Sharon Shinn and Patrice Sarath. There were some amazing stories in our group! (Mine will be amazing once I get that pesky Point of View thing sorted out!) The critiques themselves were excellent and very beneficial. The workshop alone was worth the cost of the whole Con.

After the Workshop, the convention officially opened. Kim Antell gave a great talk on what to expect at the Con, and Scott Bobo mixed some really mad martini’s.

The panels at the Con were an amazing mix. Everything from City Building and Using Softer Sciences in Genre Fiction, to Why Do They Keep Canceling My Shows? One of the best panels was an explanation of Texas as both a place and an idea; Elizabeth Moon, Joe Landsdale, Howard Waldrop, Scott Cupp, Neil Barrett Jr. and Lou Antonelli took us deep into what we call Texas Weird.

There were also lots of author readings. My favorites were Rob Rodgers reading from his newest endeavor, Fort Dire and James P Hogan, reading from his new novel coming out next year.

Speaking of James P. Hogan, I spent a delightful time talking to him and his wife Sheryl. I have been reading his works since the early seventies, and have them on my list as perennial re-reads. He told some great stories about his life and the publishing industry. We also shared funny stories from our respective careers in the computer industry. His reading was especially enjoyable; his dry wit, humor and delivery dovetailed nicely with the segments he read.

I was also able to spend a little bit of time with Guest of Honor Scott Lynch. He is such an open and engaging individual, with lots of energy. Expect great things from this guy!

One of the great things about this Con is the ability to just sit and chat with authors from near and far. Exchanging ideas, funny stories and getting lots of advice from people who have been through it all adds a special zest to your evening!

I want to thank the Con Committee for a wonderful job. See you next year!

Tuesday, June 9, 2009

Why your stories don't sell.

Most of us are in the same situation. We write a story or a novel and submit it for publication and then we wait. Most of the time, we receive rejection letters. Now we know our story is great, all my friends and relatives loved it! Why does it keep getting rejected? There are many reasons why a story or novel gets rejected; most of them are very simple.

1. Did you make sure you followed the submission guidelines?
Many publishers will not even consider a manuscript if it is not formatted correctly, no matter how good it may be. Slush piles are HUGE! It also tells them that you really didn't pay attention to what they wanted you to send. Follow the rules; they are there for a reason.

2. Did you make sure your story or novel fits with the publisher?
Sending a graphic horror manuscript to a literary publisher is a waste of postage or the internet. Research the places you want to send your manuscript to. Make sure your idea is a good fit, do your homework! Take 15 minutes to read through the publishers website and see what they are looking for.

3. Is your manuscript properly edited?
Have you run spell check? Great, now read it through completely after you do so. Spell check is great, but it doesn't catch everything (like its, it's and its'). And most spell checkers are horrible on grammer. For those of you that write genre fiction, this is especially true. Your perfectly acceptable alien dialouge can be changed back into standard English without your knowledge! This is your baby. Make sure the buttons are buttoned and the zippers are zipped. Cross your I's and dot your T's. Nobody else will, and it makes for a shoddy manuscript if you don't! It also tells a publisher that you are an amature, and that is NOT good if you want to get published.

4. Who has read your manuscript?
Writing in a vacuum is a bad thing. You need to have people deconstruct your stories and tell you where they can be improved. Your friends and family will encourage you and tell you your writing is great! The are biased toward you and down't want to hurt your feelings. You need to find a writing group that offers to critique your work. There are many sites online and probably in your area. They are normally free; you just have to critique other stories to get your own read. Go on a regular basis, your ability to write and give criticism will improve.

5. What you are writing just may not be what they are looking for.
You have that vampire novel you've been working on for 2 years and you can't seem to get it published. It's a great story right? But right now (and for the past several years) vampire stories have been flooding the market. Check out what's being publsihed now. See where there is a lack of stories and see if your style fits that. Be open to what you write. There is a lot of inertia in the publishing industry. Read the trends.

6. Your writing may just not be good enough right now.
When we decide to write, we often just write out what is in  our heads. The first stuff is almost always bad. Get used to it. The first few times we try anything, we stink at it. Don't get discouraged, write more. The more rejections you get, the more you should write. But make sure you follow rule #4. Have your writing critiqued on a regular basis. Practice makes perfect!!!

Follow me on Twitter: @ddtannenbaum

Saturday, April 4, 2009

Kirinyaga, a remarkable book.

I have just finished reading Mike Resnick's remarkable book, Kirinyaga. It is a series of interlocking stories concerning the establishment of a Utopian colony of African natives from the Kikuyu tribe, told from the point of view of the tribes witch doctor, or mundumugu. They were written specifically as shorts tories, but Resnick has crafted them in such a way that the evolution of the charcaters is seamless. 

Starting from the foundation of the colony, the stories grow more complex and captivating. Koriba, the mundumugu, tries in vain to keep his culture pure from corrupting influences. You watch as his power and wisdom is slowly eroded by the temptations of modern society. In the end, he abandons the colony when he realizes that Utopia is not a destination, but a journey. One he is not willing to abandon.

This style of writing is not often used, and not always to good effect. One of my favorite books that was sucessful in this style was Venus Equilateral, by George O. Smith. This book concerned the doings of a communications relay station at the Venusian LaGrange point. It is a very good example of Golden Age science fiction.

Sunday, March 8, 2009

BBQ and Writing...

I invested in a very essential item for living in Texas: a smoker. The one I got is a water smoker; it has a five foot tower to hang meat over a bowl of water that keeps things moist and catches the fat.There is a firebox on the side that produces heat but mostly smoke. This handy gadget allows me to produce delicious BBQ of all kinds, by burning wood instead of charcol or gas. (Does this make it green?) BBQ in Texas is different from almost everywhere else. The meat is rubbed down with a mixture of dry spices instead of goopy sauces. (You can always add your own afterwards.)

I like mesquite wood best for smoking. I start with a bunch of regular wood logs, like the kind you buy at Home Depot for your fireplace. Once I have a really nice bed of coals, I start putting chunks of mesquite wood on the coals. You have to do this about every fifteen minutes in order to keep the smoker going. I've smoked pork ribs, country ribs, brisket, pork loin, corn on the cob and even managed to make a good smoked salmon. (Great for breakfast with onions in eggs.)

I have some other things in mind a want to try, like smoking a lasagne or stuffed eggplant. My doctor keeps yelling at me about my cholestorol and stuff like that, but I can't help it! Texas Monthly has a great article on the Best Barbecue Joints in Texas. I was drooling after the first page!

How does this relate to writing? When you smoke, be prepared to spend six to eight hours just tending the smoker. This allows you to relax in the backyard and think, read or write. It a very relaxing way to spend the day, not to mention all the food you get to eat when you're done!

Wednesday, March 4, 2009

On Dialogue...

As I prepare for the Writer's League of Texas' annual Agents and Editors Conference I have been going over the novel I am going to shop there. After doing more critiques and attending a convention recently, it came to me that I write dialouge the same way I speak. For most people that may not be a problem. For me it is. I tend to use lots of objectifiers and modifiers; my use of adverbs and adjectives is not quite peerless but it gets up there. I do a lot of public speaking due to the fact that I teach a lot. (See? That last sentance can be trimmed considerably or even cut without losing any impact!) This means I have to keep the audiences' attention. Sometimes it's easier to throw out the patter so my mouth can catch up to what my mind wants it to say.

In writing, this can be a story-killer. While reviewing a critque I recieved during a contest I eneter last year, there was one very curt piece of advice: Eliminate "just" and "well" from the manuscript. It saved me almost a thousand wordds and made the story a better read. Huh? Well, it just did! Try it yourself. Reread one of your stories and see if dropping those two little words do anything for it.

Also remember, you have the story in your head. There is much that doesn't get on paper; have someone read the story cold and tell you what confused them. I'll bet lots of stuff like character descriptions and scenery descriptions never make it out of your neurons and onto the paper...

Saturday, February 14, 2009

One of my stories got accepted for publication!!!

I just found out that one of my stories, "The Hole That Max Found" has been accepted for publication by a new magazine, M-BRANE SF. It will be in issue #5, coming out on June 15, 2009! It's a story that mixes heavy drinking, country music and Quantum Physics. What's not to like? :-) And many thanks to Kelly McGuire for giving me his permission to use him in my story.

I get ideas from the damndest places. While taking the train to Texas, I was listening to my MP3's. One of them was Kelly's hit "Blame It On Buffet." It struck a cord in me; this tale of taking a different road because of someone else's influence. I popped the concept into my processor stack, and this story popped out. I hope you enjoy it! Let me know what you think of it!

Monday, November 19, 2007

Things always change...

OK, I sent the package out to an agent, and got a fairly quick respone: Sorry, not interested. That's OK, I didn't expect to get anything on the first try. But it did give me time to rethink the story. I've decided to combine the two parts into one book again. I'm almost finished the draft and am starting to go through and edit the story. I know there are continuity issues and some of my math work really stinks, but what the heck. That's what this is all about. To keep writing until it's publishable.

I want to thank Aburt and the Critters Organization for being my online critique group. They've been very helpful with this novel and my short stories.

I especially want to thank Wendy Wheeler and The Slug Tribe in Austin Texas. They are a writing group that meets twice a month for review and critque of stories. I discovered I needed to talk to pewople inn person about my writing, and find out how they thought and wrote. It is a marvelous group of individuals that are serious about their writing. Just sitting in and reading other people's works and listening to the critiques has already made me a better writer. Here's my public service announcement:

DON'T WRITE IN A VACUUM!!! FIND A GROUP AND JOIN! YOU'LL NEVER REGRET THAT DECISION!!!

Okay, I've gotten that off my chest. On a more personal note, we may have found our new house, albeit 8 months before we are ready for it! It's in Georgetown, about 20 miles north of Austin. The price is reasonable, the lot is nicely landscaped, there is a pool and a hot tub, and there are enough rooms for my wife and I to each have an office. I gotta tell you, the Greater Austin Area lifestyle is execptional. One word of caution: Don't come down here and try to make it like where you used to live! There is already too much diluting of the local culture. Please enjoy Austin and the surrounding towns for what they are. if you really love Encino, and want what they have there, STAY THERE! If you want to experience a much nicer lifestyle, then COME ON DOWN!!!

The food is one of the best things! There is a little place called "Georgetown BBQ" that has absolutely the best brisket I have ever eaten in my life. Tender, juicy and oh, so tasty! Tell them you want it with a "little flavor". That means there is a little bit of fat on it. And the chicken is great too! My wife and daugther adore the homemade Peach and Cherry Cobbler.

Alright, I'm full now. I'll let you be for now.

D. D. Tannenbaum

Thursday, September 20, 2007

Onward and Outward...

OK, I made it to Texas. We've been here about six weeks and are pretty much enjoying it. Adjusting to a two bedroom apartment instead of a three bedroom house is a bit difficult. Note to parents of teenagers: Don't let your kids bring their skateboards and bikes into the apartment pool. It really messes the water up. And to parents of little children: TEACH THEM NOT TO PEE IN THE APARTMENT POOL OR ON THE PLANTINGS AROUND THE APARTMENT POOL! And to the adults: NO SEX IN THE APARTMENT POOL! KEEP YOUR BODILY FLUIDS TO YOURSELF! This has been my public service announcement.

Now, the story has gotten so out of hand, I am splitting it up into two books. I am doing the final edits on the first one now and will be sending a query to an agent in the next day or so. One thing I've noticed is when the Muse strikes, you have no choice but to write. If it ain't there, what comes out is pretty much crap. My Muse comes upon me when I can let go of everything that bothers me. That clears me out and good stuff comes. I'm also growing short stories; a couple of them are ready for critiquing. But this beast that is coming out os taking me places I never thought it could.

Now, Texas is a great place. I never knew they had a Texas Pledge of Alligiance. They say it in schools right after the National Pledge of Alligiance. For an aspiring author, Texas it has it all. The cost of living is a lot cheaper than New England. There is great food, great music and cheap beer! The people are friendly and open. We've made a lot of new friends here; I may even have found someone to collaborate with on a few stories.

I hope the agent I've chosen likes the story. I'm open for all kinds of constructive criticism. If anybody needs a place to have their stories critiqued, I highly recommand http://www.critters.org/. They are a fabulous bunch of people!

I'm gonna go bury my head in some meditation tapes for the night...

D. D. Tannenbaum

Sunday, June 10, 2007

Why do I write?

Let's review why I write stuff down in the first place: I don't seem to have a choice. Story ideas come up and appear to take on a life of their own. I can hear a line from a song, or someone makes an odd turn of phrase, or I happen to be drifting off to sleep and something appears out of whole cloth. Who knows? But once the idea comes, it demands to be expressed. In some cases, I just let it simmer in my head for a while until it gets some coherency to it. Other times, I get so overwhelmed with the concept, I HAVE to start writing immediately. I currently have three other novels, two short stories and a screen play in the beginning stages. A couple of the novels may never see the light of day because of copyright issues (one is from a very old TV series, and the other is a crossover between two other fairly current series.), but they cry out to be expressed. If I never make a dime with my writing, I have the satisfaction of having gotten the ideas and concepts on paper; and I have the sure knowledge that the characters in the stories will appreciate being brought out into the open. My head gets kind of murky at times.

With my current original attempt, "Keel Hauled", it started with a fairly odd concept of interstellar travel. I sat with that for a few days and started to get ideas in snapshot form. Conversations between crewmembers or plot twists in a plot that didn't even exist at the time. It was kind of like putting together a puzzle; you get chunks of pieces together and lay out those chunks where you think they should go. It's sometimes surprising how the middle of the story can become the beginning, and the ending come out of nowhere.

I have often written myself into a corner and then discovered what one of the characters was thinking. That would put me on a new path and change things around drastically. That's something else I realized; I don't write a story. The characters that inhabit the story are just telling me what's going on. I have to interpret their situations, reconstruct the dialogue and lay it out logically. I sometimes feel more like a construction worker than a writer. I find it hard to make a character do something that seems out of, well, character for the character.

All of this to say, I write because I love to write. The joy that comes from expressing myself this way is incredible. Like anyone laboring over a project, there is a sense of accomplishment.

D. D. Tannenbaum

Saturday, June 9, 2007

Starting point...

This will be my record of getting my novel published. I am about 2/3rd's of the way through it, and have been reviewing it every few days to get the crap out of it. After 65,000 words, I seem to have a fairly coherant plot and apparently likable characters.

Here is the basic plot:

We've been in space about 180 years. It is currently the year 2187. We went interstellar around the end of the last century, utilizing something called a Tachyon Pump that forces a ship and contents to become Tachyon particles. They wiffle away in the general direction they wish to go in, and get pretty much anywhere in their small volume of space in less than a month.

The crew of this particular ship get involved in some odd dealings with a mysterious stranger (is there any other kind?) who involves them in some pretty shady dealing.

I have enjoyed writing this story so far, and hope to have it off to an agent or publisher before I move to Austin, Texas later this summer. It currently consumes a lot of my free time (Which is measured in Planck Time Units as is!) .

I will keep this updated with my progress, as I think it's time to get it out there. Hang on, it's going to be a wild ride!

D.D. Tannenbaum